"It's all about the Content: Creation, Management, Distribution and Display"
Exhibit Hall Open
Grand Ballroom Salons 3-6
3D Opening General Session
ABC's Bandwidth Independent FIber Optic HD Central Switching Center
Advancements and Innovation in Film Scanning Technologies
Architecture for embedding audiovisual feature extraction tools in archives
Automatic Content Based Video Quality Analysis for Media Production and Delivery Processes
Automatic Flicker Removal by Digital Restoration Techniques
Automation of Coordination - business process management for media companies
Backhaul of Live television using JPEG2000 in MXF over RTP
Balancing New and Old: Multi-channel Encoders Delivering MPEG-2 and AVC Workflow Efficiencies
Basic Elements of the ATSC Mobile DTV System
Beijing TV Station SOA Based on Network Production System
A Bigger-Picture Perspective on the Small Screen and ATSC Mobile Broadcasting
Broadcast Service Quality Monitoring Strategies
Building and Managing a File-Based Wireless ENG Infrastructure
Case study:implementation of a file based work flow from acquisition to air.
Consider Stereoscopy From Outset: The Adjustments in 3D Scenes for Stereoscopic Presentation
Creating a more “open” automation environment
D-ILA LCOS Full 8Kx4K Resolution Projector
Decomposing Media Operations: Leveraging Advanced Content And Metadata Management Solutions
Detection and Correction of Lip-Sync Errors Using Audio and Video Fingerprints
Developing End-to-End Standards for 3DTV to the Home
Error Concealment Methods for Improving HD Video Quality in Internet Transport
The evolution of watermarking and fingerprinting technologies: from protection to monetization
Field-to-air-to-online-to-mobile: cross-platform integration and new technology approaches to news system design.
S-Log: A new LUT for digital production mastering and interchange applications
High-speed Digital Transport - A Critical Comparison of Available Technologies
On how metadata enables enriched file-based production workflows
I Can See Clearly Now: A new test pattern for the digital age
Increasing Efficiency in Digital Distribution of Media – Concurrency and Conforming
Keeping video quality pristine throughout the production process – introducing 10-bit 4:2:2 AVC/H.264 encoding
Latest developments in content management standardization: the Content Management Interoperability Services standard proposal by OASIS
Move to HD Without Bandwidth Penalty; Perfecting HD Streaming
A Multi-format Hybrid Transcoding Platform
A new Single Camera System for Stereoscopic Image Acquisition
Pitch Blue - A Real Time HDTV Store and Forward Program Delivery System
Production and Presentation of 3D Live Events in Cinemas
Proposal for practical screen luminance uniformity measurement
Proposed New Simplified RGB Gamut Display with True Color Saturation and Value Scales
Restoration of Damaged Korean Films by Using Various Image Processing Techniques.
Selecting production parameters to ensure that picture quality accommodates the intended and possible future imaging systems.
On-Set Generation of Color Corrected Dailies in Digital Cinema Production
The State of Solid State Lighting: Color Rendering Index and Metamerism Considerations
Super-Performance 3Gb/s in a Practical Application
A Systematic and Flexible Architecture for IP-based Media Services
Techniques for Establishing and Maintaining Audio Loudness for Digital Television; Understanding How NBC
Universal is Applying this ATSC Recommended Practice.
The Use of Flowfield Motion Compensation for 3-D Stereoscopic Moving Image Compression
Using LED backlight Display Technology to provide passive forensic marking
Virtual File Systems for dynamic content in digital production workflows
What Will Replace the CRT for the Next Generation of Evaluation-Grade Monitors?
Managing Content Integrity with MXF
Drive Booth Traffic